No wonder this stage light continues to be a favorite tool of lighting designers in theaters around the world. The ERS has the ability to perform many functions in a theatrical production, from general lighting to fun special effects. Others are built to throw a tight beam in order to zero in on a specific spot on stage. Light GOBO Studio Light Projector Leko Reflector for Theatre Church Lighting Equipment. Some ERS models cover wide areas with light. ZVH X40 Ellipsoidal Spotlight, 40W COB LED Stage Lights, 19, 26. From that angle, these lights reveal performers’ costumes, actions, and facial expressions.ĮRS fixtures come in different sizes that feature different “beam spreads.” Beam spreads describe the area covered by light across a certain distance. That means rows of ERS fixtures can be placed above the audience and in the back of the theater. This cannon-shaped light shoots a tight, bright beam across long distances. That is where the ERS shines to the rescue. The tops of their heads will be well lit, but their faces and bodies will be masked in shadows. But imagine actors performing beneath those lights. The lights hanging above the stage usually cover the performance area in general light. Performing Arts Gear: Ellipsoidal Reflector Spotlight (ERS)ĭifferent types of stage lights are called on to do different jobs. Watch this video to find out why and how. The ERS is the go-to gear for lighting designers in theaters everywhere. Other gear can be added to the ERS to shine splashes of color, unique shapes, or even special effects like rain, water, and fire. It can help turn a nighttime scene into a bright summer day. It can highlight performers for their big number. The ERS is famous for its bright, focused light and many uses. But one of their old favorites is the ERS, short for “ellipsoidal reflector spotlight.” Lighting designers like Holder constantly experiment with new gear to create their art. “The job for me … for The Lion King was to create a luminous world, a magical, vibrant world filled with light that evoked the majesty of the Serengeti, the majesty of natural light in Africa,” Holder commented in an interview. ELLIPSOIDAL REFLECTOR SPOTLIGHT FULLHis lighting painted a brilliant African sunrise, a blue-black night full of stars, and a thunderstorm slashed with lightning. In that production, Holder arranged hundreds of lights to turn the stage into what looked like boundless landscape. Holder has won a lot of praise for his lighting designs, including a Tony Award® for the hit Broadway musical The Lion King. “One of the jobs of a lighting designer is to be an illusionist to convince the audience they’re somewhere special,” says Donald Holder. Buyi Zama as “Rafiki” in THE LION KING North American Tour.
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